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Sunday 14 July 2013

Bhaag Milkha Bhaag

Director: Rakeysh Omprakash Mehra

Cast: Farhan Akhtar, Jabtej Singh, Pavan Malhotra, Sonam Kapoor, Divya Dutta

Music: Shankar Ehsaan Loy

Running time: 195 minutes



Rakeysh Mehra reclaims his place behind the camera for the much awaited “Bhaag Milkha Bhaag”. The movie recounts the life of champion Olympic runner Milkha Singh and the events leading up to his final race at a friendly Indo-Pak athletic event while also throwing some light on the Indo-Pak split which was the cause of Milkha’s traumatic childhood . The first thing that stood out about this movie was of course the length. But strangely enough, the 3 and a half hour film did not really feel long until the last 30 minutes or so. The chapters were pacey and just as long as they needed to be. The movie followed a pretty standard storyline with Milkha’s tale being discussed by his coach on a train journey. This would have been pretty bland if not for Mehra’s beautiful visual narrative.


Rakeysh Mehra brought the story to life with the use of warm and atmospheric colour (and a very unexpected cameo). Milkha’s troubled childhood was bathed in a dull, melancholic haze while his days as a lovelorn teenage troublemaker were full of colour. Mehra brought back the ‘Rang de Basanti’ vibe with some attractive black-and-white transitions during the story of the death of his parents. This was coupled with some innovative shots including a sped up tracking shot of the 200m circuit. He summarized Milkha’s victories in a stylish sequence of parallel shots in slow motion; and boy does he LOVE slow-mo. The film was riddled with innumerable slow motion shots and few too many songs (for a ROM flick) which probably gave the film its extra hour. The jolly Punjabi vibe was welcome.

Desi me rollin'


Farhan Akhtar hit the sets after a year of training with a vein popping chiseled body and a commendable performance. Following some very average acting in his previous movies, Farhan showed us a different side to his abilities with some intense bathroom mirror moments and insane running on the track. But he was defeated by the brilliant performances of Jabtej Singh as young Milkha and Divya Dutta as his elder sister. Sonam Kapoor reprised her Delhi 6 role as the ‘chulbuli’ village girl and makes a quick exit (just the way I like it). Pawan Malhotra was charming but Yograj Singh was very disappointing as Milkha’s Olympic coach. Prakash Raj had minimal screen time and a character that did nothing but lighten the mood with an exaggerated Southey accent while speaking Hindi. 

The storyline was quite straightforward and had some very touching moments and well-timed comic relief. The Farhan-Sonam love story was short and bittersweet which really pleased me. However the key message of the film failed to come through. The film intended to focus on how Milkha’s success was a result of his determination, perseverance and hard work but the idea fell apart. In a nutshell, Milkha lost a race because he had an affair with an Australian girl (The gorgeous Rebbecca Breeds) and won all the subsequent races because he said no to the Indian swimming champion. Parts of the movie describe Milkha’s gruelling training and his resolve, but him pulling a tire around a desert till he collapsed from exhaustion was not very provocative. Additionally, the Indian coach telling the Pakistani coach to F*** off after Milkha’s victory was in very poor taste, even if it was muted. Despite these shortcomings, Milkha’s story invited a lot of applause and left us swelling with patriotism as we exited the theatre.

When the screen went blank, I was left with a pleasant warm feeling which faded away as I got into the car. Bhaag Milkha Bhaag gave people a cause to celebrate one of the country’s most respected athletes and is a good candidate for the Independence Day special on Zee TV but did not leave a lasting impression. 


3/5

Quotes: 

Pakistani coach Javed: "Milkha, Yeh tumhare zindagi ki Aakhri daud ho sakta hai"
Milkha Singh: "Aur daudunga vaise hi" 


Saturday 13 July 2013

No need to 'Dredd' this one!

Director: Pete Travis
Cinematography: Anthony Dod Mantle
Based on: Judge Dredd byJohn Wanger, Carlos Ezquerra
Starring: Karl Urban, Olivia Thirlby, Wood Harris, Lena Headey
Run time: 95 minutes
Music: Paul Leonard Morgan
Release Date: 7th July 2012


PLOT


The movie is set in a post apocalyptic future where most of the world has now turned into a nuclear wasteland and most of the population now resides in mega-cities. With the explosion in crime rates, the traditional judicial system is no longer viable nor functional. Justice is now provided by 'Judges' who as the movie's tagline aptly says are the Judge, Jury and Executioners. In other words, let the gore-fest begin!

The story revolves around veteran Judge 'Dredd', an anti-character--who does not change or learn and his greenhorn partner as they're trapped inside drug-lord Ma-Ma's territory and must now find a way out. What follows is just 65 minutes of unadulterated splattering of blood and guts.

WHAT I LIKED ABOUT THE MOVIE :


1. The movie has no pretensions
lesser than three ! lesser than three! lesser than three!
(for those of you who didn't get it,  that's < 3)
about itself. It's an action flick and it offers you just that. No complex plot with multiple story lines, no grand schemes and thankfully no food for thought . It's just 95 minutes stuffed to the brim with action and bad-freaking-ass!

2. Judging from the trailer (no pun intended), I expected it to be an all brawn and no brain kind of movie, which to an extent was true but the movie nonetheless does manage to keep you engaged throughout and to my relief does not have any, "Wait a minute! that does not make sense" moments. 

3. Olivia Thirbly.  I think the picture says it all.

4. Some of the scenes in the movie are pretty funny and it does manage to win a few laughs.

WHAT I LOVED ABOUT THE MOVIE :


1. The cinematography
The drug induced slow motion scenes in the movie alone make it a worth watch. Never before has a guy getting shot in the head been made to look this aesthetically beautiful. Cinematographer Anthony Dod Mantle has to be credited with some brilliant and innovative work behind the camera.

2. The soundtrack
A movie with so much ass kicking involved needs a soundtrack that supports it and keeps the adrenaline going and man-oh-man does this movie have an epic background score. Paul Leonard Morgan manages to create something that in his own words is, ' a cross between a modern dance track and evocative soundscapes'. Now, I have no clue what that's supposed to mean but I do love the music in the movie.

WHAT I HAVE MY RESERVATIONS ABOUT :


1. The violence in the movie does become overwhelming and excessive. Towards the end, I tended to close my eyes before a kill and am not really sure what EXACTLY happens to ma-ma. Maybe you can tell me after you've seen the movie.

2. The acting performance by Karl Urban is mediocre and there is nothing standout about his performance. The perennial frown and enigmatic guise does seem forced at times.

Yep! that's how law officials in the future are going to dress up.


3. That helmet is just ridiculous.In noway does this shit have any functionality! That being said, this was just an after-thought and does not really distract you during the movie.







Hopefully, I have now said enough to make you go watch the movie. Also, the fact that you're still reading this review says a lot about how bored you are. So go ahead and watch 'Dredd', you certainly will not regret it.

Monday 1 July 2013

Isspessal chhabbis


After wanting to see it for quite a while, I finally got down to watching Special 26 (that's Chhabbis, and not twenty six for you wannabe firang junta). Directed by Neeraj Pandey (of A Wednesday fame), the movie opens with a CBI interview on March 18, 1987, being conducted by Ajay (aka Ajju) Singh (Akshay Kumar) and P.K Sharma (Anupam Kher). It then proceeds to the first of (a tad too) many flashbacks. Ajju and Sharma, accompanied by Joginder (Rajesh Sharma) and Iqbal (Kishor Kadam), are seen raiding a minister's home under the guise of the CBI. Soon after their departure, it is revealed that this was in fact not a CBI raid and that the minister had been robbed. SI Ranveer Singh (Jimmy Shergill) gets suspended for unwittingly aiding the conmen in looting the minister.

Hey Paaaaaaat! See the silver lining yet? 
Hurt by this rustication, Ranveer proceeds to uncover a series of similar robberies all over the country and realises that the brilliance of these robberies lay in the fact that it was black money and undeclared assets that were stolen in each case, leaving the victim unable to report the crime to the police. He reveals his findings to Waseem Khan (Manoj Bajpai), an officer with the CBI ("asli wali").

The rest of the film then unfolds at a brisk pace and with unexpected style, with Waseem trying to outthink, outsmart and outmaneouvre Ajju's eleven (or rather four in these case). The film culminates in a final act that is inspired by a real-life heist at the Opera House branch of Tribhovandas Bhimji Zaveri in Mumbai, on March 19, 1987.

An Akshay Kumar film with him neither jumping off a building nor laughing his trademark guffaw?! :-O 
All the actors are top notch, with no one overplaying their part or trying to hog the limelight. Also supporting the storyline is a cool background score and some nice dialogues. Completely unnecessary is the entire sidestory involving Ajju's love interest, Priya (Kajal Aggarwal). Her character is of no consequence, looks incredibly plain in a most unattractive manner but yet manages to hog the screen for a few songs. This however shouldn't be a problem thanks to <ctrl + right arrow key>. Mumbai Bombay of the 80s is recreated well with good attention to detail (barring a few poor background CGI shots). Waseem Khan asking his wife(Neetu Singh, in case you want to google her) to cover up and the fake CBI recruitment interviews prompt quite a few lulz.

Despite the fact that the film drags on for maybe twenty minutes too many post climax, this is still easily one of the better Hindi films made this year. A recommended watch, especially now that you have nothing to do but wait till the end of the holidays.

Memorable Dialogues:

  1. Ishtud CBI applicant - I want to do...my country!
  2. Waseem Khan - Yaha chullu bhar paani kaha milega?
  3. Ajju and Sharma - Asli Power dil mein hoti hai
  4. Sharma - Humaare time mein TV nahi hua karta tha
Ee toh matlab poora keh ke le li